Advertising agencies discovered that the highly reactive black population was ideally suited to become their perfect captive consumer market. However, their research also revealed that certain long term enhancement activities would be necessary if the black population was to continue to grow in dollars spent and allegiance to advertising.
1. Black racial pride must be enhanced and elevated.
2. Black economic power must be increased.
3. Black cultural mores must become dominant.
4. The culture and influence of all other competing racial cultural groups must be eroded
5. Black political power must be increased.
6. The mating of black men with white women must be encouraged.
Thereupon, American advertising and media embarked upon a long range protracted battle to elevate the black population into the most powerful consuming slice in America. By 2001, the media has obtained great success. in that endeavor.
The growing racial power, influence and prestige of Blacks is awe inspiring. They are awarded special privileges by Congressional fiat in every sphere of American life. Each year new privileges are bestowed upon them as affirmative action civil rights by the passage of yet more "civil rights" laws by congress. American blacks have attained the status of a synthetic, protected nobility.
Advertising leads the field in the promotion of black racism. Every television commercial, for example, evidences numerous black faces, and many commercials have only black actors in them. Yet blacks compose only ten percent, or less, of the American population.
Every television drama, and most movies, features black stars or co-stars. Such is the zeal to include black faces that viewers observe blacks in such unlikely, and historically all-white, places as among Robin Hood's merry men in medieval England, and as a "black" Viking storming ashore in ancient Europe.
What is most pervasive is the Black-over-the-shoulder phenomena, now routinely observable in American television and cinema. No matter what the locale or story, most televised and cinematic dramas are now filmed in crowd locations. As the camera pans over whoever is speaking, left to right, a black is always in the background, over the shoulder of the main action. Usually blacks in the background are deployed as interracial couples with a black male and a beautiful white blond. Such couples are carriers of "add-on" psychological messages. The message is one of physical domination and terror.
The viewers who are even aware of what is going on in movies and television must ask themselves: “Why is such detailed modeling necessary? What do the producers of such staging want us to believe?” Very few people understand the cultural implications of the continuous barrage of deceptive media racial presentations.
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